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C.Students with dyscalculia refuse to memorize numbers.e.The popuD.About 40%students are experiencing dyscalculia.D.The disap29.What do advocates think promotes researching on "dyscalculia"?33.What doesA.The rareA.Nationwide math teachers'concern.B.The stabB.Strong appeal from students.C.The reasC.Awareness of math learning barriers.D.The longD.Application of modern technology.34.Which met30.Why does the author mention Cladek's experience?A.PressinA.To share Cladek's fantastic memories of schooling.C.BeatingB.To show growing up with dyscalculia is a big challenge35.What doesC.To encourage students to have dyscalculia diagnosed earlier.D.To prove academic demands outweigh struggling with dyscalculia.A.UnsatiC.Purely31.Where can the text be found?A.In a literature work.B.In an education website.第二节七觉根据短C.In a fashion magazine.D.In a psychological report.两项为多余立PeopleFor over a decade,Zubin Kanga,a pianist,composer and technologist,has changed the limits of the forms of musical performances.He has bothexamples oforganized and performed shows that have pushed barriers,with motionphenomenordisussensors,artificial intelligence (Al),live-generated 3D visuals and virtual37皇reality among the technological advancements used to unlock new possibilitiescells multipof music and performances.lost duringKanga's approach to employing cutting-edge technology was first informedessentiallyby the relative limitations of his chosen instrument."The piano is a veryduring theaccurate technology,"he says."From the early 20th century till now it hasn'tyou are bareally changed at all.It's an amazing instrument,but it does have certainthan eightlimitations in terms of the types of sound you can create."depends oOne of the early works is Steel on Bone,composed by Kanga himself.Heand howperforms the piece using MiMU multi-sensor gloves."I can put up one finger,All tand that'll produce a particular sound,"Kanga explains."And then I canthe fitnescontrol that sound just by moving my wrist through the air-I can do that withto regainlots of different gestures."resistanc"For Steel on Bone,I'm actually playing inside the piano with these steelmemoryknitting (needles,and getting all these interesting effects on the strings.then graThen I'm using samples of them.Sometimes I'm using live delays and operatingUltthem.The sound can change depending on how my hands are moving.It allowslearningme to make a very theatrical piece,and people can see this immediatemay haconnection between how I'm moving-these very big,almost conductor-likeA.It isgestures through the air-and the way the sound is changing,said Kanga.B.TheThis is just the start.Kanga goes on to be enthused with the use of motionC.Physensors to make music,exploring the possibilities that Al offers composers as aD.Nantool,and how virtual reality could transform performances and more.E.It is32.What do the technological advancements bring to music and performances?F.ObvA.The presentation of new performance forms.G.PreB.The performances with professional skills.the英语试题第6页（共10页】